The piece consists of a 4 panel installation that projects both video and audio. One can only imagine standing in the midst of these 4 large panels, surrounded by images of micro-biologic nature. The artists intend to create a world that verges on the boundaries of polar opposites. This includes organic and digital, micro and macro.
I believe that they succeeded in portraying their intentions. If one stands in the center of the installation, the rest of the world is mostly blocked out by these 4 massive screens. One is transported into micro, organic workings, yet can not deny that the images are created in a digital format. I believe that a sense of curiosity is also given. A viewer, unless extremely versed in micro biology, will not know what organism these micro portions belong to. I could imagine interacting with this piece for a long period of time, possibly with a quizzical look upon my face.
As far as critiques go, I appreciate the work that went behind this installation. It creates a space for the audience to enter, therefore bringing a great deal of viewer interaction into play. Yet, I believe the piece would have worked better in an all white room, allowing the viewer to totally ex-communicate the surroundings beyond the screens.
http://www.azizcucher.net/texts
http://eyebeam.org/projects/synaptic-bliss-villette
http://www.azizcucher.net/texts
http://eyebeam.org/projects/synaptic-bliss-villette
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