The above image is entitled Antisana III and was produced as part of a collection in 2000. Upon closer look, recursion is purposefully used to create this organic-looking, large-scale "growth." Specifically, in Antisana, Dombis had taken broken ellipses and morphed them into different shapes and sizes, repeating his layering so many times that it is hard to tell the base unit. The digital line drawings were then presented as larger-than-life images.
As a viewer walks into the art-space, the digital image encompasses one wall, while the rest of the space is left completely blank white. The white walls further emphasize the digital image. Even more so, Dombis is playing with the notion of simple vs. chaotic, stable vs. unstable. This ideal becomes clear to the viewer as they begin to process the space.
His most recent work, entitled Eurasia, continues with his personal aesthetic of chaos. This specific installation creates as interactive space in which viewers enter the show room and are actually walking on it. Essentially, it covers the entirety of the floor. Composed of mass amounts of text set in close-knit lines and right angles, to the unfocused eye it can be perceived as a grey cloud. Yet, upon further look from the viewer, one can distinguish the specific lines of text.
For me, this installation is yet another example of opposites: chaos vs. order, stable vs. unstable. It is left up to the viewer to unravel its mysteries and contemplate what it may mean to them. With digital line drawings the artist wants to invoke a message or feeling through vision, yet with an installation that includes text, the importance of visual design is matched with the importance of interactive reading. Therefore, there are now two modes in which a viewer can make meaning of a piece.
I, personally, found Pascal Dombis to be inspirational. His artistic vision matches my own. The images and installations seem so simple and so streamline. Yet, instability and chaos are their main medium. Not only are they pleasing to look at, but deep meaning perpetuates even deeper thought.
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